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Therefore we decided to merge it with minimal changes and a basic integration with the tools system. This could easily get on the way of the merge. The features for annotations have a limited scope, letting all the animation features to the new Grease Pencil object.įor Grease Pencil to comply with the new user interface paradigms in Blender 2.8 is no small task. Now, annotation is a new tool on its own, separated from Grease Pencil and available in all editors just like before. This animation features were far more than we needed for simple annotations, it was very complex to maintain and degraded the usability of Grease Pencil as a whole.
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In the early days, Grease Pencil was used for making annotations and later became a full 2D animation tool. On the other hand, this is the current list of (non-VFX) modifiers supported. Now, Shaders FX are located in a new tab in the properties panel and not in modifers tab.ĭuring these weeks, I also created the new Colorize and Rim FXs. So we decided to redesign these VFX modifiers and replace by new Shaders FX. The idea for VFX is something that could be used for other object types, not only grease pencil. They couldn’t be applied, their order in the stack wasn’t followed all the time, among other issues.
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The implementation of these VFX was done reusing the modifier stack, but after review the design by code quest team, we all agreed that these VFX were not real modifiers.
The new effects modifiers were added to get real time effects in the viewport for grease pencil objects, such as: Blur, Pixelate, Lighting, etc.
This preview is also used to select the material assigned to the brush. With the new approach, we can define a Brush/Material that draws as expected, while also have a reliable way to create libraries of brushes that can be imported into other files.Įxamples of textured strokes created by Matias Mendiola:Ī new preview design has been created especially to showcase Grease Pencil features. The way a brush draws is the result of Brush settings and Material settings, thus it was sensible to join them both. As the Grease Pencil materials evolved, it was clear that a Brush was related to the material used, specially for textured materials. The change could seem like a step back, but there are reasons to do this. Note: The current user interface is temporary and it will be replaced with a new design. Now the brush has always a material attached to it. Before this change, the brush used the color selected in the palette. This is an important change in the workflow. This change makes it also possible to link brushes between files and to create brush libraries. This way we reuse the Brush structure already available in Blender. This change is more internal, but it replaces the Grease Pencil drawing brushes with “ real” Blender brushes. Note: Grease Pencil materials cannot use nodes for the time being. Now the colors work the same way as any other material in Blender, with additional settings exclusive to Grease Pencil.Ĭonsequently, Palettes have been replaced by Material slots and each color replaced by an individual material. So much that we ended up with Palette colors that had many more options than just RGB values.Īfter some discussions with Code Quest team, we decided to move Palettes to Materials. However, Grease Pencil colors are far more complex than a simple color.
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This solution proved to work well and it was deeply used in the HERO open movie project. In the last versions of Blender 2.7x we introduced Palettes in order to manage Grease Pencil colors. Here is an overview of the updated changes internally and in the workflow. Which, after much back-and-forth, led to fundamental changes to fully integrate it within the Blender 2.8 design. The Blender 2.8 Code Quest turned out to be a great opportunity to gather a final round of feedback. The long overdue Grease Pencil merge in Blender 2.8 is now closer than ever.
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